Sunday, February 21, 2010
Is this our pretty church in the bottom to the right?
And here a link to the village.
http://www.chateaugay.fr/index.php
Wednesday, February 17, 2010
Consecration vs. desecration.
Today i wrote my catholic priest, which is a friend of mine in real life and on facebook, about when a church is a "church" and when and why it can be "de-churched".
He is a good guy and answered already later. He also said that he could probably write loads and loads of pages, but instead he would send some links that explanes it. so...
consecration:
http://www.newadvent.org/cathen/04276a.htm
desecration:
http://www.newadvent.org/cathen/04748c.htm
He would also be happy to answer questions if we had any in relation to the texts. Quite handy to have a catholic priest in handy when you need them!
Have fun!
Maria
He is a good guy and answered already later. He also said that he could probably write loads and loads of pages, but instead he would send some links that explanes it. so...
consecration:
http://www.newadvent.org/cathen/04276a.htm
desecration:
http://www.newadvent.org/cathen/04748c.htm
He would also be happy to answer questions if we had any in relation to the texts. Quite handy to have a catholic priest in handy when you need them!
Have fun!
Maria
mohamed el baz
http://www.inextensoasso.com/mohamed_elbaz.htm
MOHAMED ELBAZ
BRICOLER L'INCURABLE (DETAILS) - LE SALON DE MUSIQUE #2
18 septembre - 12 octobre 2003
Espace de la Bionne - Chateaugay
« Bricoler l'incurable », titre générique de Mohamed El baz, annonce une fatalité issue d'une violence terrible, qui ne peut trouver de solution. L'incurable est inscrit dès le départ qui n'en finit pas de se déployer. C'est peut être ce que redouble l'artiste lorsqu'il remet en jeu ses dispositifs afin de les revisiter, contrairement à d'autres artistes qui ajoutent ou retranchent toujours, mais en changeant d'objet. Mohamed El baz casse cette règle en retravaillant ses installations selon le moment, l'espace, le contexte. [...]
Les dispositifs de Mohamed El baz bricolent l'incurable jusqu'à retourner le couteau dans la plaie. Il crée des lieux où la parole peut commencer à émerger, difficile, fragile, car l'incurable peut parfois être indicible. Ces installations se situent toujours, au bord, à la frontière du moment où, le spectateur du musée, admiratif, privé de parole par tant de solennité, se sent seul. Les situations qu'induisent les oeuvres de Mohamed El baz ballottent le visiteur entre quelque chose qu'il ne peut pas forcément nommer et une solitude qui le pose face à sa propre individualité. [...]
Extrait du texte de Lise Guéhenneux in Mohamed El baz édité par le CAC de Meymac, le Bureau d'Art et de Recherche, Roubaix, et le Centre d'Art et de Recherche, Rennes
pictures
pictures
Tuesday, February 16, 2010
still of the 'grapping' light thing
still of the sound installation
The episode is one hour. If you don't want to see all of it
you can jump to a time frame from below.
seeing possibilities in the chapel - 00:08:19
back to the studios - 00:11:53
finishing up the works - 00:29:40
installing pieces in the castle - 00:33:47
opening the doors to the public - 00:46:58
saatchi's team looking at the works - 00:52:55
http://tvshack.net/tv/School_Of_Saatchi/season_1/episode_3/
Monday, February 15, 2010
Sunday, February 14, 2010
Sunday, February 7, 2010
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